The woman is positioned on the descending diagonal line.
The image is structured by verticals (section of wall, window, bureau, plant stem) by horizontals (window ledge, bath, bureau, towel,) and inclines which for their part lead our gaze to the interior of the painting.
The position of the woman's torso constitutes a reminder to the gothic form of the window.
As much as, the position of the leaves in the foreground, the inclination of the trees and direction of the water in the background orient the viewer's attention to the face. In opposition the pose and direction of the facial features serve to distance the viewer's gaze.
The details in the painting are situated principally around the superior right point of interest.